April 15, 2024
When does the student become the master? The Roshi watched me carefully. He smiled sadly. “He wanted you to follow after him, Connor.” My mouth was dry with the shock of acknowledgment. “I’m not sure I can.” 8 Min Read.
March 4, 2024
These new techniques, footwork, steps, mindsets, strategies, tactics, and positions used in today’s sports-karate’s kumite illustrate best the discipline’s far-reaching separation from karate-jutsu’s kata: there is no kata anymore in sports-karate’s kumite.
7 Min. Read
February 19, 2024
Advanced level karateka understand concepts, including all their hidden options, and realize all the big pictures in combat where these concepts may be applied, whereas beginners narrowly see a technique to be used for only one specific application.
9 Min. Read
December 4, 2023
Reflections from Dr. Hermann Bayer and his attendance at “Day of Karate” October 25, 2023 Naha, Okinawa, Japan.
September 18, 2023
And there it was. It’s not only my injuries that wake me in the night. In the vulnerability of the dark, I wonder if the point of Yamashita’s art is not about skill or technique but simply about pursuing an unshakeable willingness to surrender the self in the pursuit of something higher.
“It is a common fact―and mistake―that someone, who supposes his/her knowledge being insufficient, chooses to study “broadly,” i.e. to study another related subject, instead of deeper penetrating the subject at hand.”
In the early 1980s the unique selling position of Japanized Karate-Do (with Shotokan as its prototype) was well established and further initiatives focused on stabilizing its market position and its organizational structure which was remarkably successful in both preserving its Japanese identity and protecting copyrights and financial interests.
The following is an excerpt from John Donohue's upcoming martial arts thriller, Keppan: The Blood Oath, coming to YMAA Publication Center in September 2023. This is the sixth installment of Donohue's gripping martial arts thriller series about martial artist Connor Burke. Fusing the way of the pen and the way of the sword, Donohue has trained in the martial disciplines of aikido, iaido, judo, karatedo, kendo, and taiji. He has dan (black belt) ranks in both karatedo and kendo. A nationally known expert on the culture and practice of the martial arts, Donohue infuses his thrillers with genuine cultural and martial aspects that every reader will enjoy.
Unless in military combat, it looks like males have game-like rules of engagement that ultimately dictate dominance, but, in contrast, women fight male attackers not to dominate but to survive.
To correct mistakes, something has not just to be modified, but habits have to be completely unlearned before something new can be learned.
Karate’s sacred principle should be rephrased into ‘karateka aim at not to attack first, but they may move first’, when a not yet physical attack is underway as a clear indicator for an immediately following use of physical force.
Because Karate is such an essential pillar of an autonomous Okinawan subculture, its Japanization from Karate-Jutsu into Karate-Do became the mainland’s priority not just for militaristic purposes, but also to create cultural homogeneity across the nation.
Stressing Karate’s possible use for supporting Japan’s armed forces was Itosu Sensei’s pragmatic strategy to secure sufficient funds for his educational campaign by tapping into Japan’s funds for its militarization―whereas the final and underlying goal of this educational campaign was not to create the raw material for the nation’s military forces, but something different, something nobler.
Through building up physical and mental strength, inappropriate overcompensating and aggressive tendencies lessen and eventually even vanish, since traditional karate training creates new self-definitions of capability and new self-perceptions of being able to successfully defend oneself and others. Unavoidably, self-confidence and courage eventually will improve and reduce feelings of inferiority.
Outwardly, the two societies are integrated, but the Okinawan people have proven masterful at the remaining cultural differences and attaching new importance to them genuine Okinawan karate being one of those cultural symbols.”
“Japan’s militaristic and nationalistic attitudes before WWII and its strategies to establish an Olympic sport after WWII explain why the mainland took over Okinawa’s unique fighting art.” Hermann Bayer, Ph.D.
Japanization” changed many techniques of genuine Okinawan karate radically, and the essence of the original, Itosu-based style, which is self-protection, was lost in its transition from Okinawa to mainland Japan.
Applying a comparable argument, an existing Okinawan martial art with its clear intention and purpose of self-protection integrated foreign (here: “Chinese”) knowledge and skills as a useful improvement into its existing system, into its existing idea, its existing concept and intellectual framework.”
Studying an Asian martial art can be a daunting task for a non-Asian student. Not only do you have to learn the physical postures and how to move from one to the other, you also strive to master the seemingly endless number of techniques. As well, the cultural milieu in which the martial art developed is often confusing. Many times the task you undertake is compared to climbing a mountain, and for good reason.
Perhaps it was always Funakoshi's destiny to shed light on a part of Okinawan culture that had for centuries remained hidden from the gaze of the general population. He shone like a bright star in a dark sky and pointed the way forward for the many millions around the world who would take up the challenge of learning.
I once asked a Japanese friend of mine, who had flown down from the mainland to Okinawa to meet me, if she was enjoying her visit to this part of Japan. Her reply surprised me at the time, as she confessed it was like visiting a different country. The food in particular was very different from the type of dishes she ate on a daily basis with her family in Osaka.
The following is an excerpt from John Donohue's latest martial arts thriller, Enzan The Far Mountain. Chie Miyazaki is a wild, spoiled, pampered child of a cadet line of the Imperial House of Japan. When she disappears in the United States accompanied by a slick Korean boyfriend who may be taking orders from Pyongyang, it sets alarms off in Japan's security apparatus as well in the U.S. intelligence.
For many practitioners, the phrase “martial arts” doesn’t do a particularly good job of encompassing the complexity of the systems we study. There is also a certain oxymoronic tension between things martial and things arty and serious trainees often prefer to emphasize the physical efficacy of these systems.
A man sees the world through the eyes he has been given. A priest and his daughter in the land called China liberate the wounded Celtic prisoner of war (Vincent) ripped from his homeland. This chapter is about the beginnings of the priest, Mah Lin, who is Vincent's owner.
In the early part of the twentieth century, when Okinawan karate teachers were first asked to provide names for their karate by the Butokukai in Japan, they struggled to come up with a name that did justice to the martial art they practiced.