April 15, 2024
When does the student become the master? The Roshi watched me carefully. He smiled sadly. “He wanted you to follow after him, Connor.” My mouth was dry with the shock of acknowledgment. “I’m not sure I can.” 8 Min Read.
January 15, 2024
Choi Hong-Hi: Leading Korea from the Ashes of War.
Reading Time 7 minutes
December 18, 2023
It is easy to fall into the trap of seeing our martial arts masters as infallible or near-invincible in skill. However, this mindset is not just erroneous, but downright dangerous too. The following article will explain why.
November 18, 2023
Augustus John Roe is an author, linguist and instructor of traditional Vietnamese martial arts of the Bửu Sơn Phật Môn Quyền lineage. Since the mid-2000s, he has lived and trained in Asia. During this time, Augustus has worked on numerous television shows, books, magazines and academic projects documenting local cultures and martial arts practices.
November 13, 2023
While both myths and legends possess an undeniable appeal, transforming mundane truths into powerful stories, these tales also serve a martial function.
YMAA author John Donohue is a nationally-known expert on the culture and practice of the martial arts, and has been banging around dojo for more than 30 years. Gene Ching discusses the latest book in the Connor Burke series, Keppan, now available in hardcover and paperback, and delves into John's personal experience and writing process.
And there it was. It’s not only my injuries that wake me in the night. In the vulnerability of the dark, I wonder if the point of Yamashita’s art is not about skill or technique but simply about pursuing an unshakeable willingness to surrender the self in the pursuit of something higher.
Whether these tales appear orally from student-to-student, on the big or small screen, or in the form of the written word, they remain a key element of martial culture.
The following is an excerpt from John Donohue's upcoming martial arts thriller, Keppan: The Blood Oath, coming to YMAA Publication Center in September 2023. This is the sixth installment of Donohue's gripping martial arts thriller series about martial artist Connor Burke. Fusing the way of the pen and the way of the sword, Donohue has trained in the martial disciplines of aikido, iaido, judo, karatedo, kendo, and taiji. He has dan (black belt) ranks in both karatedo and kendo. A nationally known expert on the culture and practice of the martial arts, Donohue infuses his thrillers with genuine cultural and martial aspects that every reader will enjoy.
Set in Okinawa during World War II, it’s a story of reverence, the coming of age, love, tragedy, war, and honor. A retired Okinawa karate instructor, Ota Kenichi Ota, writes memoirs of training with world-famous master, Chojun Miyagi.
The Records area at Rusafa Prison Complex in Baghdad is enclosed by a chain-link fence and was almost always crowded. It’s a stressful place, with inmates being processed in and out, Iraqi military, police, corrections, advocates, politicos, and sometimes families of the convicts are present and a small handful of American advisors.
Vietnam has a land mass close to 332,000 square kilometers, it borders China to the north, mainland Southeast Asia to the west and has hundreds of kilometers of coastline. As a result, the region has long been seen as a strategically and economically valuable resource. The modern incarnation of Vietnam was first amalgamated by military expansion southwards throughout the seventeenth century, giving the country its distinct "S" shape. Meanwhile, the northern borders have had very little modification since the withdrawal of the Song Dynasty in 1070.
The land we now know as Vietnam has been defined by centuries of conflict. Within the modern-day borders of the country, countless battles for dominance, resources and survival have taken place, thus ensuring the development of many unique fighting styles.
Although there has been a long and intertwined history between China and Vietnam (the name Vietnam even stems from the Chinese "Nan Yue" which means "Southern Dwellers",) various geographical, cultural and physical differences have all coalesced to create combat systems that are distinctly different from their northern counterparts.
Let this be known: I cannot stand running. I ran a lot when I was younger, mainly because somebody was always trying to beat me. Why? Acerbic wit was my weapon of choice.
No matter what levels of force you need, the players stay the same. It is critical to be able to read the players. The threat dictates the situation. You must understand the problem before you can choose a solution. A charm predator is one thing. A drunk wanting to show off for a girl is an entirely different problem. You must learn to read threats and threat dynamics.
According to the National Institute for Occupational Safety and Health, 18,000 people a week are victimized by some sort of workplace violence in the United States. In fact, although industrial accidents abound, homicide is actually the leading cause of death among female workers and the second leading cause of death for men.
How do you know when it is legal to get physical with an adversary? Learn the I.M.O.P. (Intent, Means, Opportunity, and Preclusion) principle. All four of these criteria must be met before you have a good case for taking action. If one or more of these conditions are absent, you are on shaky legal ground.
When I took a defensive handgun course several years ago, I was taught to train for handling the survival-stress reaction commonly associated with actual combat. To simulate the reaction, we had to do as many pushups as we could as fast as we could for one minute.
The following is an excerpt from John Donohue's latest martial arts thriller, Enzan The Far Mountain. Chie Miyazaki is a wild, spoiled, pampered child of a cadet line of the Imperial House of Japan. When she disappears in the United States accompanied by a slick Korean boyfriend who may be taking orders from Pyongyang, it sets alarms off in Japan's security apparatus as well in the U.S. intelligence.
For many practitioners, the phrase “martial arts” doesn’t do a particularly good job of encompassing the complexity of the systems we study. There is also a certain oxymoronic tension between things martial and things arty and serious trainees often prefer to emphasize the physical efficacy of these systems.
I was parked alongside a major street in downtown Seattle. My hands were full of boxes and the mid-afternoon sun was glaring in my face, making it hard to see despite my polarized glasses, so it took a couple tries to get my key into the lock. I awkwardly dragged the door open, nearly dropping some of my packages, and began shoving my purchases in to the car.
(The following is an excerpt from Chojun A Novel by Goran Powell. Chojun Miyagi, born in Higashimachi, Naha, Okinawa, April 25, 1888. He began studying Karate at age nine. He first learned martial arts from Ryuko Aragaki who then introduced him at age 14 to Kanryo Higashionna (Higaonna Kanryo.) He continued studying and teaching until his death from heart disease in Okinawa October 8, 1953.)
I realized fairly early in life that different people learn and process information in different ways. When teaching and learning styles misalign, students progress slowly, if at all. As a child, I had the opportunity to take judo instruction from a former national champion who was the highest-ranking black belt in the United States at that time.
It’s ironic that the world’s best-known karate master never existed. The much-loved Mr. Miyagi from the Karate Kid movies is the product of a Hollywood scriptwriter, and just one more example of how the public’s view of martial arts has more to do with fantasy than reality.
I began training in the martial arts in the summer of 1965. Months earlier, I had broken my lower back in a weightlifting contest and the doctor told me to stop lifting weights and to try something less violent on the body. Therefore, I began karate training.