September 12, 2022
Because Karate is such an essential pillar of an autonomous Okinawan subculture, its Japanization from Karate-Jutsu into Karate-Do became the mainland’s priority not just for militaristic purposes, but also to create cultural homogeneity across the nation.
April 4, 2022
Stressing Karate’s possible use for supporting Japan’s armed forces was Itosu Sensei’s pragmatic strategy to secure sufficient funds for his educational campaign by tapping into Japan’s funds for its militarization―whereas the final and underlying goal of this educational campaign was not to create the raw material for the nation’s military forces, but something different, something nobler.
January 24, 2022
Regardless of your physical condition when you begin your training and in spite of the hurdles you’ll encounter during it, strive to keep in mind that you are, underneath it all, an athlete. We all are, by virtue of 300,000 years of evolution.
January 17, 2022
Through building up physical and mental strength, inappropriate overcompensating and aggressive tendencies lessen and eventually even vanish, since traditional karate training creates new self-definitions of capability and new self-perceptions of being able to successfully defend oneself and others. Unavoidably, self-confidence and courage eventually will improve and reduce feelings of inferiority.
January 3, 2022
The staggering success of Netflix's Cobra Kai has brought renewed attention to the martial arts, especially karate. Anyone who bore witness to when The Karate Kid premiered in 1984 can recall the impact it had on the global popularization of martial arts. The film attracted a massive influx of new students and a tremendous boon to awareness, as well as to the economy. Cobra Kai has improved how the martial arts are depicted in the show with subtle clarifications that only the most discerning martial artists might appreciate.
Outwardly, the two societies are integrated, but the Okinawan people have proven masterful at the remaining cultural differences and attaching new importance to them genuine Okinawan karate being one of those cultural symbols.”
“Japan’s militaristic and nationalistic attitudes before WWII and its strategies to establish an Olympic sport after WWII explain why the mainland took over Okinawa’s unique fighting art.” Hermann Bayer, Ph.D.
There are, however, a few key qualitative generalizations to be made about virtually all techniques. As you enjoy class training in kihon (technical fundamentals), you’ll want to continually check the following seven preliminary items to ensure they are driven deeply into your muscle memory.
Japanization” changed many techniques of genuine Okinawan karate radically, and the essence of the original, Itosu-based style, which is self-protection, was lost in its transition from Okinawa to mainland Japan.
As you bow onto the dojo floor, wake up to all that is around you. Strive to maintain that consciousness until the time you bow off the floor for the night. Your awareness should be at its utmost when you are practicing your techniques.
There is a public perception of adults who practice karate, borne no doubt of the movies our local multiplex presents us. America's favorite entertainment medium is the province of young athletic people who, in their quest to make right through might, produce skilled strikes that land accurately, rendering perfect unconsciousness in every opponent, and enable our hero to emerge uninjured after battling many wrongdoers. We in the practice know better.
Applying a comparable argument, an existing Okinawan martial art with its clear intention and purpose of self-protection integrated foreign (here: “Chinese”) knowledge and skills as a useful improvement into its existing system, into its existing idea, its existing concept and intellectual framework.”
"...since karate training has stressed humility and overcoming oneself as fundamental principles from ancient times, even though one may not be aware of the development, it contributes substantially to the polishing of character."—Master Gichin Funakoshi from Rentan Goshin Karate Jutsu, 1925
Martial arts history happens when karate is introduced at the Tokyo Olympics. Among the 33 overall different sports this year, karate is part of a special group of martial-based Olympic sports. This includes archery, boxing, fencing, judo, modern pentathlon, shooting, taekwondo, and wrestling (some also include the track and field event of javelin, and the winter sport of biathlon.) Despite their global impact, most Olympic games are of Western origin. The outstanding Non-Western games are the martial arts: judo, taekwondo, and now karate. The Olympic karate events will begin on August 4th and run until August 8th, 2021.
Much of modern karate training can be done simply by refining one's technique through careful internal reflection. The only thing required is a karate uniform or do-gi. However, there can be great benefit to using equipment in training. The use of equipment can be vital for developing a method of direct feedback regarding the execution and delivery of power into a target. To this end, equipment can be used for two primary purposes: (1) understanding the internal feeling of the body as a technique impacts an object, and (2) developing focus and power delivery through correct alignment to a target outside the body.
In this article, both devoted martial artists were queried as to their views on the difference between sport and traditional taekwondo, the importance of poomsae, training in Korea, and sought their opinions on the future direction of taekwondo. Here are more questions from the interview with Grandmaster Richard Chun and Master Doug Cook.
Sadly, Grandmaster Richard Chun passed on November 15, 2017. In honor of his memory, YMAA is reposting an abbreviated interview about Grandmaster Chun's life and Master Cook's written by Stuart Anslow and published in "Totally Taekwondo” July 2013. Master Doug Cook was recently named successor to Grandmaster Chun. He is now president and CEO of the United States Taekwondo Association whose mission is to “promote the traditional and evolving art of taekwondo.”
Let this be known: I cannot stand running. I ran a lot when I was younger, mainly because somebody was always trying to beat me. Why? Acerbic wit was my weapon of choice.
I had the great pleasure of meeting Donivan Blair at the Beach Ball Buzz concert last month in Kansas. I enjoyed the adventure of being back stage in the thick of things. And also the Toadies are a really good rock and roll band. The audience adored them and would have liked to have heard more of their music. They are entertainers extraordinaire.
One difference between martial arts styles developed in Asia and many of the Western arts is the refinement of the legs and feet as striking weapons. In Shotokan karate in particular, kicking techniques, or keri are seamlessly integrated into the curriculum and are one of the six major classes of techniques (zuki, uke, uchi, nage, keri, and dachi).
Karate-do, or any other martial art, is, at its core quite simple. However, it can be made far more complex than what it actually is. The multitude of techniques, combinations, kata, and partner drills—combined with nebulous concepts like "use your hips," "lower your stance," "do budo karate," "make more kime," and "use your ki"—can make martial arts seem overwhelming.
I was reading through one of my martial arts group news feeds the other day on Facebook, and I stumbled across a question posed by one of the members. The question was based on the fact that, as we all know, a block is not a block, but rather a receiving technique.
With an estimated 50 million karateka in the world there are no figures that I am aware of to demonstrate what percentage have been training for more than a few years. Certainly, given the direction of karate's growth over the past fifty-years, it wouldn't be too outrageous to suggest that a greater value has been placed on quantity over quality. So what happened?
Getting hit doesn't hurt...that's not only the name of this article: it's a fact! It was also a discovery I made many years ago when, as a young man caught in a downward spiral of violent behaviour, my life was heading to the bottom faster than a rock in water. Unable to take control of the rage that burst to the surface with increased regularity, my teenage years bore witness to a boy broken by his inability to alter course. Appreciating that it was my fear of being hit, and not the actual pain I might feel when a blow landed, was a massive turning point in my sprint to the bottom. It was a fear that lay at the heart of my hesitation to start a fight; but once that fear was removed, my downward trajectory grew quickly steeper.
Being born the fifth child into a working-class family of six children guaranteed I had a fight on my hands from the very beginning. That my siblings and I grew to be productive members of society suggests that my childhood, although often chaotic, served me well. Dublin, Ireland, was not the attractive city in 1955 that it is today, so my birth on the fourteenth of May that year, in the upstairs front bedroom at 88 Kylemore Drive, rekindled thoughts in my father's head of returning to England. And in 1958, when I was three years old, the family moved to Manchester in the heart of England's industrial northwest.