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Dukkha Hungry Ghosts
December 28, 2015
As Mai and the crowd watch in frozen horror, the Lexus slowly rolls again until it's on its top; the front-end still nose down into the water. After a moment, only the rear back tires are still above the surface. Then they too slip beneath the bay.
Dukkha:  Hungry Ghosts - A Sam Reeves Martial Arts Thriller
November 16, 2015
The following is an excerpt from Dukkha: Hungry Ghosts.  Sam Reeves and his girlfriend Mai are enjoying a morning at Saturday Market, a sprawling weekend bazaar along Portland's waterfront. From the top of a bridge at the market, a crazed man, "Tonto," announces that he will be the crowds designated shooter.
Dukkha: Hungry Ghosts - A Sam Reeves Martial Arts Thriller
October 26, 2015
Prologue from the book: His legless torso swings back and forth between his arms, as he hand-walks along the dim but ornately lit cobblestone path that meanders about the lavish yard through tall bamboo, past large stone Asian lanterns, around half a dozen towering palm trees, and encircles a large pond. Twelve-foot high brick walls border the large yard on three sides.
Dukkha Unloaded-A Sam Reeves Martial Arts Thriller
June 26, 2014
A rush of wind sent debris skittering along the empty sidewalks, filthy gutters, and streets long in need of repair. Though few vehicles passed through the darkened skid row intersection of Northwest Third and Couch at three a.m., its lone traffic signal, swaying in the wind, continued to cycle its colors, casting hues off the sides of old buildings and the cracked windshield of a decaying station wagon propped up on four rusted wheels.
A Few Fighting Techniques Found in the Dukkha Series
June 16, 2014
Many kind reviewers for Dukkha: The Suffering, Dukkha: Reverb, and Dukkha: Unloaded have commented on the realistic violence, in particular the fight scenes. This is always nice to hear because I work hard to infuse the scenes with authenticity and truth. After spending 30 years around man's inhumanity to man, first as a Military Policeman in Vietnam and then as a street cop for 25 years in Portland, Oregon, I find many authors' and movie directors' depiction of violence to be sadly lacking or simply off base.
On Writing Dukkha Reverb - October 28, 2013
Dukkha Reverb is the second book in the Dukkha thriller series, published by YMAA Publications. The first is Dukkha: The Suffering.
Dukkha Reverb - September 9, 2013
The following is an excerpt from Dukkha Reverb, a Sam Reeves martial arts thriller.  After six weeks of being intensely investigated for the accidental killing of a young boy, Portland police detective and martial arts instructor, Sam Reeves, travels to Saigon, Vietnam to visit his newly found family. 
Excerpt from DUKKHA—The Suffering, A Sam Reeves Martial Arts Thriller - November 26, 2012
Dukkha: a Pali term that corresponds to such English words as pain, discontent, unhappiness, sorrow, affliction, anxiety, discomfort, anguish, stress, misery, and frustration.
On Writing Dukkha - The Suffering - January 16, 2012
As a Portland, Oregon police officer, my partner and I once responded to the 12th floor of a high rise where a deranged man had just fired seven rounds from a shotgun into the face and chest of his psychiatrist.
Zhang, San-Feng and the Ancient Origins of Taijiquan (References) - November 21, 2008
The origin of Taijiquan is a controversial issue. Some trace Taijiquan to the Chen family in the 1600's and others trace the art further back to Master Zhang, San-Feng. Both are correct. And neither of them created Taijiquan.
YMAA 25 Years - February 6, 2008
On October 1, 2007, YMAA celebrated its 25-Year Anniversary. There were many phone calls, letters and emails of congratulations.
Traditional Chinese Tai Chi and Kung Fu Silk Clothing - October 17, 2007
Traditional Chinese silk clothing has a long history, dating back to the 27th century BC. Once the skill of spinning silk, or sericulture, was discovered, the Chinese made silk exclusively for 3,000 years without divulging the secret of the process and it was a valuable commodity for trading.