April 15, 2024
When does the student become the master? The Roshi watched me carefully. He smiled sadly. “He wanted you to follow after him, Connor.” My mouth was dry with the shock of acknowledgment. “I’m not sure I can.” 8 Min Read.
October 13, 2023
YMAA author John Donohue is a nationally-known expert on the culture and practice of the martial arts, and has been banging around dojo for more than 30 years. Gene Ching discusses the latest book in the Connor Burke series, Keppan, now available in hardcover and paperback, and delves into John's personal experience and writing process.
September 21, 2023
YMAA staff writer Gene Ching interviews Rory Miller, a writer and teacher living peacefully in the Pacific Northwest. Rory Miller is the author of a dozen books and videos about real-world violence as it pertains to traditional martial artists. Highly recommended reading and viewing for anyone interested in real-world safety and situational awareness. Rory has served for seventeen years in corrections as an officer and sergeant working maximum security, booking and mental health; leading a tactical team; and teaching subjects ranging from Defensive Tactics and Use of Force to First Aid and Crisis Communications with the Mentally Ill.
September 18, 2023
And there it was. It’s not only my injuries that wake me in the night. In the vulnerability of the dark, I wonder if the point of Yamashita’s art is not about skill or technique but simply about pursuing an unshakeable willingness to surrender the self in the pursuit of something higher.
August 14, 2023
The following is an excerpt from John Donohue's upcoming martial arts thriller, Keppan: The Blood Oath, coming to YMAA Publication Center in September 2023. This is the sixth installment of Donohue's gripping martial arts thriller series about martial artist Connor Burke. Fusing the way of the pen and the way of the sword, Donohue has trained in the martial disciplines of aikido, iaido, judo, karatedo, kendo, and taiji. He has dan (black belt) ranks in both karatedo and kendo. A nationally known expert on the culture and practice of the martial arts, Donohue infuses his thrillers with genuine cultural and martial aspects that every reader will enjoy.
Fights are not static. Things move. People move. Bear-hugs and headlocks and all that stuff happen sometimes in a fight, but they are transitional actions. You do not get bear-hugged just to be held (except by bouncers). A Threat wraps his big arms around you from behind either to pick you up and shake you (disorienting and intended as an intimidating show of strength) or to drive you into a wall. Maybe to throw you over a balcony. If you practice technique-based defense, will they work if the Threat refuses to stand there? If he is using that headlock to slam you from wall to wall?
The Records area at Rusafa Prison Complex in Baghdad is enclosed by a chain-link fence and was almost always crowded. It’s a stressful place, with inmates being processed in and out, Iraqi military, police, corrections, advocates, politicos, and sometimes families of the convicts are present and a small handful of American advisors.
The approach to teaching and studying martial arts in China was based upon a monastic tradition that is characterized as door, hall, and chamber teaching. In times past the monastery, both Daoist and Buddhist, served as schools for medicine, the classics, and martial arts.
The origins of Liuhebafa, also called Water Boxing, can be traced to the Daoist sage Chen Tuan (A.D. c.871-989) also called Tunan and Fuyaozi. Chen is a mystical figure whose advice and perspective was sought by Chinese emperors during the period of the Five Dynasties and Ten Kingdoms (A.D. 907-960) and at the beginning of the Song Dynasty (A.D. 960-1279).
Weapons are simply an extension of the fighter. The Samurai even considered the sword to be an extension of their soul. The weapon assumes the character of whoever wields the weapon, as the weapon is simply a tool that extends the will of the fighter. The principles of fighting with empty hands apply to fighting with weapons. A fight is a fight. But there are some thoughts about these principles that should be noted.
One of my teachers frequently used the phrase, "Keep a cool tool." Samurai Miyamoto Mushashi expressed this a bit more eloquently centuries earlier, saying, "You must remain calm at all times; in this way you can control the attack."
Technique is important. But techniques change, adapt, and evolve. Principles are timeless. Bruce Lee recognized this truth, and advised to “absorb what is useful, discard what is useless and add what is specifically your own.” To Lee, there was no single superior style of fighting. He even referred to his methods as the “style of no style.”
Everyone knows that any fighter can win or lose on any given day. There is even a saying among fighters that there is always someone bigger and better. No one can consistently predict the outcome of two fighters facing each other who possess equal skill. The Navy SEALS have the same problem. Men of all sizes, body types and different skill sets wish to enter SEAL training.
In Malcolm Gladwell's very popular book David and Goliath: Underdogs, Misfits, and the Art of Battling Giants, the author deeply explores the lessons behind the three-thousand-year-old Biblical story of how the small young David defeated the giant warrior Goliath.
The following are important things, some little, some major, that lend themselves well to simple drills or exercises. Backing up is almost never the answer. Unless you are excellent at reading and remembering tactical terrain, you might not know what or who is behind you.
A prime example of how a MMA fighter has incorporated sumo into his game is former Ultimate Fighting Championship (UFC) Light Heavyweight Champion Lyoto "The Dragon" Machida. He has a strong sumo background, but his primary style is traditional Shotokan karate.
Sumo is the fusion of honored ritual with unbridled power. Even in a combat sport like sumo, where great body mass and girth are often winning factors, superior technique can overcome size and strength.
I get especially annoyed with weapons. Unarmed defense against a weapon sucks. Never, ever, ever practice dying and do not train to be killed. The stakes are too high to blindly imprint a habit, even a habit as simple as handing a weapon back once you have disarmed someone.
I'm not a big fan of most drills. There is a fine line, but conditioned reflexes are crucial in a fight and habits will get you killed. Conditioned reflexes are things you do without thinking about it. They are essentially trained flinch responses. If something suddenly comes at your eyes you WILL do something: block, move your head or, at the very minimum, blink.
This article will discuss several martial arts to illustrate how different looking martial arts are apparently closely related and how the idea of hidden historical roots applies to many martial arts. First the origins of karate and Okinawan sumo will be explored. Then the root of jujitsu will be uncovered.
The one-step arose as a useful accident. Many years ago I was reading George Mattson's The Way of Karate and I completely misunderstood his description of ippon kumite.
The following aren't actually tricks. They are exercises that you demonstrate once to show a deeper truth. Most will not work on people a second time. Some will learn to game it.
The one-step arose as a useful accident. Many years ago I was reading George Mattson's The Way of Karate and I completely misunderstood his description of ippon kumite. I thought, "That's brilliant—unscripted but safe, just looking at this whole thing as a meat geometry problem…"
I teach about violence. As I left “the life” I discovered that my niche wasn’t so much teaching cops as I had expected, or even teaching civilian self-defense. The material seemed to resonate most with experienced martial artists who were coming to discover how little they really knew about violence.
There are six very important distinctions that make self-defense different from almost every other subject we teach. Rarity. Emergencies are extremely rare, complex, and varied. Rarity means there is very limited experience available on how to deal with such an event.